- 31 oct 2020 – 24 jan 2021, Main Stage.
- Giancarlo Andretta
- Jacopo Spirei
- Set design
- Mauro Tinti
- Costume design
- Silvia Aymonio
- Lighting design
- Giuseppe Di Iorio
May be chosen as part of the Premiere, Weekday and Your Choice subscriptions.
A classic opera about a brutal reality
Opera in four acts by Giuseppe Verdi (1813–1901). Libretto Temistocle Solera.
Performed in Italian, with surtitles in both Swedish and English.
King Nabucco is fighting a war, and has two daughters. One of them is legitimate – the lovely Fenena, who loves a man from the enemy side and is campaigning to have the prisoners of war released. The other is illegitimate – the ruthless yet pitiable Abigaille, who vindictively plots to seize power. It is hard to decide who is good and bad in this story; our sympathies fluctuate back and forth as the power struggle unfolds.
An all-Italian team headed by director Jacopo Spirei sets the opera in a contemporary context with a desperate populace protesting against an oppressive government. After gaining power, the populace becomes the oppressor. One fundamentalist regime is superseded by another. Those with nothing left to lose adopt extreme measures to enforce their own ideology. Fear and hope switch sides – over and over again.
Italian conductor Giancarlo Andretta returns to The Göteborg Opera to conduct Verdi’s fiery breakthrough opera. Its powerful music ranges from ravishing arias to majestic choruses. The Göteborg Opera’s baritone Mats Persson plays Nabucco, whose perceptions of himself and society change as the plot develops. The magnificent role of the fierce Abigaille is played by Russian soprano Zoya Tsererina, whose career has soared since her debut. The chorus plays a key role in the opera as the supporters of the opposing sides.
Panel discussion prior to the premiere of Nabucco
21 October, 7.00pm
The Small Stage
About one week before premieres we hold free panel discussions. At these discussions the artistic team and soloists talk about their work. Sometimes an expert guest is invited to give a special perspective on the production. It could be a language professor, an architect, an art historian or perhaps a singer who has previously played the role.
These discussions take place on the Small Stage a week or two before the premiere. The chair for the opera panels is The Göteborg Opera's dramaturgist, Göran Gademan.
Free admission. Some talks are held in English.
One hour prior to each opera on the Main Stage, we present an introduction to the evening’s performance. They last around 20 minutes and are held on the Göteborg Opera Small Stage. Admission is free, limited seating.
Please note: introductions are presented in Swedish, and there is no introduction at the premiere performance.
Next season’s experiences are almost here.
When these strange times are over, we’ll re-open our doors and will be more than ready to fill your days and nights with delightful performing arts again – far from the small screen. Season 2020/2021 contains all the powerful emotions and grand gestures you could wish for.
Here you can return to experiencing operas, musicals, dance creations and concerts at their absolute best: 100% analogue and entirely screen-free. When you want. With those you love.
If you’re 28 or younger, you get 50% off the subscription price!