- 8 may – 2 jun 2021, Main Stage.
- Ville Matvejeff
- John Fulljames
- Staging director
- Aylin Bozok
- Set design
- Dick Bird
- Costume design
- Annemarie Woods
- Lighting design
- Fabiana Piccioli
- Video design
- Will Duke
Ticket release 30 Sept
Co-production with Greek National Opera and the Royal Danish Theatre, Copenhagen. May be chosen as part of the Premiere, Weekday and Your Choice subscriptions.
The man we love to hate.
Opera in two acts by W.A. Mozart (1756–1791). Libretto Lorenzo da Ponte.
Sung in Italian with Swedish and English surtitles.
Mozart’s opera about the unscrupulous Don Giovanni is musical theatre of the highest order, and one of Mozart’s darkest operas. Its diabolical atmosphere, comic moments, well-observed female characters and complex title character places it firmly among the greatest operas of all time.
The artistic director at the Royal Danish Theatre in Copenhagen, John Fulljames, has set the story in an elegant hotel where the rich and jaded live the high life while the staff sweep away the evidence of their excesses. There’s always someone to make the bed after a rampant night’s entertainment. And Don Giovanni gets through plenty of beds.
He is a man of strong appetites, especially when it comes to women. In his world there is no right nor wrong, except his right to take whatever and whoever he fancies. During the final hours of his life, three women join forces to get their revenge: Donna Anna, who was left traumatised after an unknown man forced entry into her bedroom and then murdered her father; the young Zerlina, whom the rampant Don attempts to seduce even as she celebrates her wedding; and Donna Elvira, Don Giovanni’s former mistress who burns with a desire to save him from self-destruction. He also ends up burning in the end, but not with love.
The music – which is as volatile as the seducer himself, dynamic as love and dramatic as passion – is performed under the baton of Finnish conductor Ville Matvejeff. Mattias Ermedahl takes the title role, while the three women are sung by Kerstin Avemo, Ann-Kristin Jones och Mia Karlsson.
One hour prior to each opera on the Main Stage, we present an introduction to the evening’s performance. They last around 20 minutes and are held on the Göteborg Opera Small Stage. Admission is free, limited seating.
Please note: introductions are presented in Swedish, and there is no introduction at the premiere performance.
Next season’s experiences are almost here.
When these strange times are over, we’ll re-open our doors and will be more than ready to fill your days and nights with delightful performing arts again – far from the small screen. Season 2020/2021 contains all the powerful emotions and grand gestures you could wish for.
Here you can return to experiencing operas, musicals, dance creations and concerts at their absolute best: 100% analogue and entirely screen-free. When you want. With those you love.
If you’re 28 or younger, you get 50% off the subscription price!