Daniel Hällström, baritone, was trained at the Kongelige Danske Musikkonservatorium as well as the Opera Academy in Copenhagen. In the 2007/2008 season, he was part of the permanent ensemble at Oper Leipzig, where he played parts such as Belcore, Marcello, Papageno and Figaro in The Barber from Seville. In the 2008/2009 season he was tied to Den Jyske Opera, where he made his debut as Belcore in L'elisir d'amore. In the 2009/2010 winter, Daniel sang father Trulove in Stravinsky's The Rake's Progress at Malmö Opera, whereupon he returned to Den Jyske Opera for roles such as Fritz in Die Tote Stadt, Lescaut in Puccini's Manon Lescaut as well as the title role in Rossini's The Barber from Seville, which had its first performance in spring 2011. In the 2011/2012 season, he was employed at Malmö Opera, where he sang roles such as Vidar in Tirfing, the Father in Karlsson on the roof, Morales in Carmen and Publius in Mozart's La Clemenza di Tito. In 2012/2013, Daniel Hällström did the Count in Le Nozze di Figaro at Den Jyske Opera as well as the Duke of Albany in Reimann's Lear at Malmö Opera. In 2013/2014 he returned to Malmö Opera for the role as Count des Grieux in Massenet's Manon and Schaunard in La Boheme. In summer 2014 he made his debut in the role as Mr Ford at Läckö Castle and performed the Father in Hansel and Gretel at Malmö Opera.