Billy Budd

Opera. The innocent must be destroyed. Swedish premiere for Britten's heart-rending drama Billy Budd. Peter Mattei is making a special appearance for us in the title role.

"A dazzling production" Svenska Dagbladet
"… deeply moving." Svenska Dagbladet
"Unbelievably topical" Dagens Nyheter
"A fantastic event to have witnessed." Göteborgs-Posten
"A triumph for Peter Mattei" Dagens Nyheter

Introduction with musical entertainment

The introductions to Billy Budd begin with some musical entertainment.
The Small Stage 1 hour prior to performance.
Admission is free, but seating is limited.

Abraham & Isaac by Benjamin Britten
September 14 and 29, October 4, 6, 9, 12.
Abraham: Ingemar Anderson (tenor)
Isaac: Daniel Carlsson (counter tenor)
At the piano: Joakim Kallhed

The Göteborg Opera Treble Chorus sings Britten
September 18, 21 and 25.

From Benjamin Brittens "Cabaret Songs"
September 17 and 20.
Susanne Albertus, mezzosoprano
At the piano: Daniel Olmarker


Watch a film clip from Billy Budd

We are celebrating the 100th anniversary of the birth of Benjamin Britten - England's most prominent opera composer - with a Swedish premiere of his heart-rending drama Billy Budd from 1952, one of Britten's few operas for a symphony orchestra. It is a tale of a human's right to rebel, and psychological power struggles within a male-dominated heirarchy – Billy Budd only has roles for men.

In the original libretto, Billy Budd takes place on a ship. Handsome young sailor Billy arouses everyone's sympathies – as well as desire in some cases – and is falsely accused of mutiny. He is in a weak position, partly because of his stammer which makes it hard for him to express himself when agitated. He cannot adequately defend himself, and is sentenced to death.

Director Richard Jones has set the story in an English boarding school, with its tendency for bullying and underlying homophobia. The production comes from the Frankfurt Opera, where it was highly acclaimed. Richard Jones' Assistant Director Katharina Thoma will be responsible for our production. As in Frankfurt, Billy Budd will be played by one of the most dazzling international opera stars – baritone and Court Singer (Hovsångare) Peter Mattei, who is returning to our opera house after an absence of 13 years. The upright Captain Vere's role (originally written for Britten's life partner, tenor Peter Pears) will be played by Mathias Zachariassen. Billy's nemesis, Master-at-arms John Claggart, is interpreted alternately by bass Clive Bayley from the original production and The Göteborg Opera's own Mats Almgren. Experienced Britten conductor, Jan Latham-Koenig, most recently made a special appearance with us in Thaïs.

Clive Bayley (Claggart), Mathias Zachariassen (Vere), Peter Mattei (Billy Budd)
Clive Bayley (Claggart), Mathias Zachariassen (Vere), Peter Mattei (Billy Budd)Mats Bäcker

Billy Budd


After the huge success of Peter Grimes, Benjamin Britten's breakthrough opera, at Sadlers Wells in London in 1945, his operatic creativity really got going. For a time, in principle, he achieved one work a year – The Rape of Lucretia in 1946, inspired by classical antiquity; the comical Albert Herring in 1947. Sceptical of the great conventional opera establishment, he founded the English Opera Group and both of the works mentioned are chamber operas. However, people wanted to get the better of his scepticism and have him write more large-format operas. Billy Budd was originally staged at the Royal Opera Covent Garden in London in 1951, with the composer himself conducting.

Peter Mattei (Billy Budd)
Peter Mattei (Billy Budd)Mats Bäcker

Origins

The idea had been conceived much earlier, during Britten's years in the USA at the start of the Second World War. Herman Melville's novel Billy Budd had been finished in 1891, shortly before the death of the author, and was first published in 1924 (today Melville is best known for Moby Dick, yet another novel set onboard a ship). The English author, E.M. Forster, a full generation older than Britten, got Britten interested, having already become acquainted with the novel in the USA. However, as a novelist, Forster maintained that he was not used to writing for the stage and another librettist, Eric Crozier, was engaged. The three men sketched out an opera in four acts with all of the roles for men only, since the action played out onboard a ship called The Indomitable.

The libretto

The libretto follows the Melville book fairly faithfully. In the aftermath of the French Revolution, Britain is at war with France and the young, unspoilt Billy Budd is recruited into the warship's crew. He is loved by everyone, and really has only one fault: he stammers. Despite the title role for a young baritone, the story's narrator is the ship's commander, Captain Vere, written for Britten's life partner, tenor Peter Pears. Just like his antithesis, the malevolent bass role John Claggart, he is fascinated, even attracted by Billy. Claggart cannot endure his own attraction to the young man and decides to destroy Billy. He accuses him of mutiny, and Billy is unable to defend himself due to his stammer. Instead he knocks Claggart down with a blow that turns out to be fatal. Captain Vere is forced against his own personal convictions to sentence Billy to death. The end of the novel has Vere dying during a sea battle shortly afterwards, with Billy's name on his lips. It is also indicated that the "attraction" was due to Vere being the foundling Billy's real father. However, the opera ends with an epilogue, in which, many years later, Vere still blames himself for Billy's death.

None
Mats Bäcker

The Music

For this, Britten wrote his very finest and most striking music, in which the sea is present in every bar, just as it is in Peter Grimes. The principal roles and the many secondary roles are strongly characterised. The great orchestral movement can swell from individual solo instruments, as in Billy's touching final aria, to enormous choral scenes with complex ensembles, as in the scene in which the battle against the French lets loose – in the latter, Britten's strong pacifist tendency also emerges.

Productions

Despite reasonable success at its premiere, the work didn't gain popularity quickly. Britten revised the work before a TV production some years later. Four acts became two, as he had composed a number of additional intermezzos for scene changes, and he also removed a scene from the first act in which Captain Vere instructs his crew. This film recording is now available on DVD, in which viewers can enjoy seeing Pears play Vere. On stage, this new version had its premiere at Covent Garden in 1964, with none other than Georg Solti conducting. Some years later, Britten himself conducted Billy Budd during a recording for Decca, on that occasion also with Pears and with baritone Peter Glossop in the title role. Even today, this recording still acts as a virtually inimitable reference piece. In Germany, the work was staged in locations that included Hamburg in 1972, with Sweden's Harald Ek playing Vere.

Mathias Zachariassen (Vere), Mats Persson (Redburn), Anders Lorentzson (Flint), Marco Stella (Ratcliffe)
Mathias Zachariassen (Vere), Mats Persson (Redburn), Anders Lorentzson (Flint), Marco Stella (Ratcliffe)Mats Bäcker

Although it is now staged throughout the world, it was 2001 before it had its Scandinavian premiere, when it was staged in Copenhagen in the old opera house with Bo Skovhus playing Billy. The Göteborg Opera production will be the first time this opera has been staged in Sweden, if you discount an abridged version for piano performed in Swedish prisons in the early 1990s. Our production comes from Frankfurt, with director Richard Jones, having moved the action from onboard a ship to an English boarding school with a naval background. It became an unprecedented success there in 2007, and has been reprised in Frankfurt several times, in addition to having been staged in Amsterdam. Our production also has major Swedish singing star, Peter Mattei, playing the title role, just as he did when this version was first staged in Frankfurt.

Göran Gademan
Dramaturgist

Listen

Playing: Billy Budd. Act 2, scene 3:

”Look! Through the port comes the moon-shine astray”. Billy – Peter Glossop, baritone. London Symphony Orchestra, dir Benjamin Britten. Decca London 417 429-2 (recorded 1967).

Information

Opera in two acts by BENJAMIN BRITTEN (1913-1976). Libretto E.M. FORSTER and ERIC CROZIER based on HERMAN MELVILLES´ novel. Performed in English with Swedish surtitles.

  • Genre: Opera
  • Season: 2013/2014
  • premiere: 14 Sep 2013
  • Last show: 20 Oct 2013
  • Location:

    Main Stage.

  • Length: 3 hours and 15 minutes including 1 interval.

Profile

Poster

Press Images

Team

Conductor   Jan Latham-Koenig
Direction   Richard Jones
Assistant Director    Katharina Thoma
Set and costume design    Antony McDonald
Assistant costume design   Carl-Christian Andersen
Light Design   Mimi Jordan Sherin
Assistant light design    Frank Keller
Choreography    Lucy Burge

Takes part

Edward Fairfax Vere    Mathias Zachariassen
Billy Budd    Peter Mattei
John Claggart   Clive Bayley
John Claggart   Mats Almgren
Mr. Redburn    Mats Persson
Mr. Flint    Anders Lorentzson
Lieutenant Ratcliffe    Marco Stella
Red Whiskers    Joachim Ottosson
Donald   Joa Helgesson
Dansker   Sven Törnell
The Novice    Alexander Sprague
Squeak   Jonas Olofsson
Bosun    John Sax
First Mate    Anton Eriksson
Second Mate   Linus Börjesson
Lookout   Ingemar Anderson
The Novice’s Friend    Henrik Andersson
Arthur Jones   Thomas Jönsson
Cabin Boy   Alvar Grimberg
The Göteborg Opera Male Chorus
The Göteborg Opera Orchestra
Boys’ Chorus
Extras
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